How can you identify you are working with a superior designer? A designers graphic work will by no means be obsolete even as there are lots of resources of free and downloadable graphic designs existing on the world wide web. As a matter of fact, with these at no cost images and designs proliferating, consumers necessitate designers graphic for first-class taste and prudent judgment in selecting what images will be proper and what won't. Here are tell-tale signs you have the wrong guy:
Enlarging Web Images For Shirt, Banner, Or Paper Printing
With lots of new designers coming from a pre-dominantly web design environment, the move over from web design to conventional design for print can bring with it a large number of design graphic errors. Images supplied at 72dpi and crunched down to load quick on a web page are going to reproduce very poorly in print. You can get away with minute thumbnails but blowing things up to any significant size is going to be pushing your luck. This is just one situation where things can go bad.
Supplying print prepared artwork using spot colours or rgb.
There are suitable motives for using spot colours in artwork, logos that need to reference particular pantone colours for instance. In broad design work, however, nearly all print is dispatched through on 4 colour presses CMYK with intermittent 5th colour for bright or metallic colour or for spot UV varnish. It is extremely common for sluggish designers graphic to just place rgb images into files and expect the luminous colours seen on screen to duplicate in print.
Permitting customers to direct on designers graphic work even if they are incorrect.
The patron is all the time right, goes the old axiom. However when it comes to design work, a consumer who insists on what he does not recognize may mean worry. It is up to the designer to win the consumers' confidence and be aware of the desired productivity though the customer may not be clever to articulate what he wishes.
Enlarging Web Images For Shirt, Banner, Or Paper Printing
With lots of new designers coming from a pre-dominantly web design environment, the move over from web design to conventional design for print can bring with it a large number of design graphic errors. Images supplied at 72dpi and crunched down to load quick on a web page are going to reproduce very poorly in print. You can get away with minute thumbnails but blowing things up to any significant size is going to be pushing your luck. This is just one situation where things can go bad.
Supplying print prepared artwork using spot colours or rgb.
There are suitable motives for using spot colours in artwork, logos that need to reference particular pantone colours for instance. In broad design work, however, nearly all print is dispatched through on 4 colour presses CMYK with intermittent 5th colour for bright or metallic colour or for spot UV varnish. It is extremely common for sluggish designers graphic to just place rgb images into files and expect the luminous colours seen on screen to duplicate in print.
Permitting customers to direct on designers graphic work even if they are incorrect.
The patron is all the time right, goes the old axiom. However when it comes to design work, a consumer who insists on what he does not recognize may mean worry. It is up to the designer to win the consumers' confidence and be aware of the desired productivity though the customer may not be clever to articulate what he wishes.
About the Author:
Professional designers present designers graphic samples to clients first to hopefully get them to like the design. This is particularly important for design logo jobs. Call us and we can help!. Unique version for reprint here: What Makes Great Designers Graphic Against Lousy Ones.
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